![]() ![]() Through a combination of all these qualities, nature in an object is not imitated but becomes unique creation itself. Feathers are iridescent and firm in shape. You can touch them, smell them, look at the color, and feel the fat between your fingers. My working material has always been raw wool. The design of the feathers was a fascinating process whose workload was overlaid with great joy. What was your inspiration and process in creating your feathers? Connecting artists of the world is an important factor in these times. It was my pleasure to be able to participate in such a high-quality project as the "chicken stoal" and to combine these two animal species in free inspiration. Sheep and chickens have always impressed me in their own way and I feel that they belong in any small-scale farming and rural structure. Why did you say ‘yes’ to this collaboration project?Īs an agricultural engineer, I have come into contact with many different animals. Sibylle Eschenlohr is an Agricultural engineer, felt maker, sheep lover, wearable art, vegetarian rugs, and fluffy wool products.Īrt and culture can keep doors open, connect people from the whole world when even the doors of diplomacy have slammed shut." Thank you for joining with us in this journey, Sibylle. - Sally ARTIST BIO: Sibylle gave us a dynamic offering of textures and values of feathers to play with and we had lots of fun composing them onto her chickens. ![]() Since one of the primary inspirations of my original Chicken Footstools were sheep ottomans, it felt appropriate to return to those roots to create a chicken as wooly-bully as a sheep. We were drawn to Sibylle’s friendly, wooly products and the way they celebrate the unending beauty of natural fibers.
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